Caricature philippine cartoons by alfred mccoy
1. Caricature philippine cartoons by alfred mccoy
Answer:
weh dinga beh omg ang galing!
2. why did alfred mccoy created philippine cartoons?
Answer:
Sorry hindi ko po alam
3. Make a reflection about A glance at selected Philippine political caricature in alfred McCoy's Philippine Cartoons: Philippines Caricature of the American Era ( 1900-1941)
Answer:
A Glance at Selected Philippine Political Caricature in Alfred McCoy’s Philippine Cartoons: Political Caricature of the American Era (1900-1941)
A Glance at Selected Philippine Political Caricature in Alfred McCoy’s Philippine Cartoons: Political Caricature of the American Era (1900-1941)Political cartoons and caricature are a rather recent art form, which veered away from the classical art by exaggerating human features and poking fun at its subjects. Such art genre and technique became a part of the print media as a form of social and political commentary, which usually targets persons of power and authority. Cartoons became an effective tool of publicizing opinions through heavy use of symbolism, which is different from a verbose written editorial and opinion pieces. The unique way that a caricature represents opinion and captures the audience’s imagination is a reason enough for historians to examine these political cartoons. Commentaries in mass media inevitably shape public opinion and such kind of opinion is worthy of historical examination. In his book Philippine Cartoons: Political Caricature of the American Era (1900-1941), Alfred McCoy, together with Alfredo Roces, compiled political cartoons published in newspaper dailies and periodicals in the aforementioned time period. For this part, we are going to look at selected cartoons and explain the context of each one. The first example was published in The Independent on May 20, 1916. The cartoon shows a politician from a Tondo, named Dr. Santos, passing his crown to his brother-in-law, Dr. Barcelona. A Filipino guy (as depicted wearing salakot and barong tagalog) was trying to stop Santos, telling the latter to stop giving Barcelona the crown because it is not his to begin with. The second example was also published by The Independent on 16 June 1917. This was drawn by Fernando Amorsolo and was aimed as a commentary to the workings of Manila Police at that period. Here, we see a Filipino child who stole a skinny chicken because he had nothing to eat. The police officer was relentlessly pursuing the said child. A man wearing a salakot, labeled Juan de la Cruz was grabbing the officer, telling him to leave the small-time pickpockets and thieves and to turn at the great thieves instead. He was pointing to huge warehouse containing bulks of rice, milk, and grocery products. The third cartoon was a commentary on the unprecedented cases of colorum automobiles in the city of streets. The Philippine Free Press published this commentary when fatal accidents involving colorum vehicles and taxis occurred too often already. The fourth cartoons depict a cinema. A blown-up police officer was at the screen saying that couples are not allowed to neck and make love in the theater. Two youngsters looked horrified while an older couple seemed amused. The next cartoon was published by The Independent on 27 November 1915. Here, we see the caricature of Uncle Sam riding a chariot pulled by Filipinos wearing school uniform. The Filipino boys were carrying American objects like baseball bats, whiskey, and boxing gloves. McCoy, in his caption to the said cartoon, Says that this cartoon was based on an event in 1907 when William Howard Taft was brought to the Manila pier riding a chariot pulled by students of Liceo de Manila. Such was condemned by the nationalists at that time.
Explanation:
#carry on learning
4. What symbolisms are used in the cartoon? What is the message in the cartoon? Do you think this scenario is true in the Philippines? Why or why not
Answer:
umm this is not true because we Philippines we don't have this and its just a myth and a cartoon so don't believe in this cartoon picture.
5. What is the importance of Philippines caricature and cartoons?
Our history and culture can be presented or interpreted through caricatures and cartoons. Naipapalaganap din ang husay at talento ng mga Pilipino sa art sa pamamagitan ng karikatura at kartoons.
6. Which of the following statements best expresses alfred adler s concept of humanity?
Answer:
nasan yung statements
Explanation:
ja nasaan
7. What were the political and social systems during the American period that Alfred McCoy would like to imply upon making the caricatures? Support your analysis.
Answer:
Political cartoons are an integral component in the framework of political journalism. They offer a brightly coloured alternative to formal news reporting, providing light relief from the ever-increasingly gloomy political discourse.
Explanation:
8. give atleast 3 context to the Philippines during the american period from the caricatures complied by alfres McCoy
Answer:
BIOGRAPHY
After earning a Ph.D. in Southeast Asian history at Yale, my writing on this region has focused on two topics — Philippine political history and global opium trafficking. My first book, The Politics of Heroin in Southeast Asia (New York, 1972), sparked controversy when the CIA tried to block publication. But after three English editions and translation into nine foreign languages, this study is now regarded as the “classic” work on the global drug traffic.
My more recent work on covert operations, A Question of Torture: CIA Interrogation, from the Cold War to the War on Terror (New York, 2006), explores the agency’s half-century history of psychological torture. A film based in part on that book, “Taxi to the Darkside,” won the Oscar for Best Documentary Feature in 2008. My latest study of this topic, Torture and Impunity (Madison, 2012), explores the political and cultural dynamics of America’s post 9/11 debate over interrogation.
The Philippines remains the major focus of my research. An investigation of President Marcos’s “fake medals,” published on page one of the New York Times (January 23, 1986) just weeks before the country’s presidential elections, contributed to the country’s transition from authoritarian rule. Analyzing the many coup attempts that followed, my book Closer Than Brothers (New Haven, 1999) documents the corrosive impact of torture upon the Philippine military.
Three of my edited volumes on Philippine historiography have won that country’s National Book Award. In 2001, the Association for Asian Studies awarded me the Goodman Prize for a “deep and enduring impact on Philippine historical studies.”
My recent book, Policing America’s Empire: The United States, the Philippines, and the Rise of the Surveillance State (Madison, 2009), draws together these two strands in my research — covert operations and modern Philippine history — to explore the transformative power of police, information, and scandal in shaping both the modern Philippine state and the U.S. internal security apparatus. In 2011, the Association for Asian Studies awarded Policing America’s Empire the George McT. Kahin Prize, describing the work as “a passionate, elegantly written book that owes its mastery to McCoy’s narrative and analytical gifts, his years of painstaking research and his sure sense of the ominous global implications of his story.”
In 2012, the Yale Graduate School Alumni Association awarded me the Wilbur Cross Medal which is presented annually to “a small number of outstanding alumni” to recognize “distinguished achievements in scholarship, teaching, academic administration, and public service.” Simultaneously, the University of Wisconsin-Madison gave me the Hilldale Award for Arts & Humanities for 2012.
My most recent book, In the Shadow of the American Century: The Rise and Decline of U.S. Global Power, focuses on the key instruments in its exercise of this hegemony—including, geopolitical dominion, control of subordinate states, covert operations, worldwide surveillance, torture, and military technology. The work concludes by analyzing China’s challenge and the complex of forces that will likely lead to an eclipse of U.S. hegemony by 2030.
My teaching interests include: Modern Philippine social and political history; U.S. foreign policy; colonial empires in Southeast Asia; global illicit drug trafficking; and CIA covert operations.
EDUCATION
Ph.D., Yale
M.A., University of California-Berkeley
B.A., Columbia College
Explanation:
9. How the The glance at selected Philippine political caricature in alfred McCoy's Philippine Cartoons: Philippines Caricature of the American Era ( 1900-1941) can relate to our present time
Answer:
Its low quality and the present is high quality
Explanation:
10. Cartoons made during the time of the american colonization were classified according to their purpose economic, political, and socio-cultural. From the compilation of caricature made by alfred McCoy and alfredo roces provide and example for each of the following classifications of caricatures and explain the message being conveyed to the readers
Answer:
cartoons are made for children and other term of cartoon is animation
11. how did Filipino cartoon and animation start in the Philippines?
Answer:
The first Filipino-made cartoon for television was Panday, created by Gerry Garcia in the 1980s based on the comic book character of the same name produced by Carlo J. Caparas. ... Adarna received recognition from the Metro Manila Film Festival on 27 December 1997 as the first animated movie in Philippine cinema.
12. Alfred is slowing down on his skateboards. He starts at a speed of 6 m/s and slows to 2.5 m/s over a time of 4.6 seconds. What is Alfred’s acceleration?
Answer:naayan po sagot Explanation:sanapomakatulong pa brainly po
13. In our lessons on Philippine Cartoons: Political Caricature of the American Era (1900 – 1941), some weak Filipino characters and values such as corruption, political dynasty, abuse of authority, public misbehavior, etc, have been revealed in the political cartoons compiled by Alfred McCoy. For our country to progress, these wrong practices must be discontinued. As a college student and a Filipino citizen, what do you think must be done to stop these practices and what can you personally contribute to their stoppage? not less than 100 words.
Answer:
sssssskaaasaaa
Explanation:
ossoijfjdkososisiskqvqvq vqbqbqbqb
14. filipino situations according to the work of mccoy
Answer:
anong tanong yan awit sa tanong
15. What does the phrase “The real McCoy” mean?
Answer:
"The real McCoy" is an idiom and metaphor used in much of the English-speaking world to mean "the real thing" or "the genuine article", e.g. "he's the real McCoy". The phrase has been the subject of numerous false etymologies.
16. why is alfred wegeners work was not widely accepted unti 1960's?
1960's? because he has no evidence or clear evidence that's why all scientist cant believe himHe doesn't have enough evidence to prove his theory. :)
17. Alfred McCoy drew the political cartoons in his book? true or false?
Answer:
try to get a hold of u
18. How is the Philippine cartoons relevant at present time?
Answer:
Books about that time in Philippine history, while factual and necessary, could also be dry and uninteresting to a generation of children who took basic freedoms for granted. The photos were another story: They were creatively drawn and lampooned their subjects, who must have been quite important political figures, with ease and a sharp sense of humor. To this day I still think of a cartoon from The Manila Chronicle, showing how the First Lady “applied cosmetics” to slums in Manila for a visit by the Pope.
19. How has the philippine animation studio, inc. PASI helped gain recognition for filipino animators in the field of international children"s cartoons?
Answer:
Pinoy cartoon and animation, helped to combined with talent and the appropriate application of classicanimation principles, methods, and techniques, which recognizes their relationship with Filipino culture, comics, and films.
Explanation:
not suree TnT
20. How did filipino cartoon and animation start in the philippines?
Answer:
Because of the influence of Japanese culture
Answer:
Filipino cartoon and animation, also known as Pinoy cartoon and animation, is a body of original cultural and artistic works and styles applied to conventional Filipino storytelling, combined with talent and the appropriate application of classic animation principles, methods, and techniques, which recognizes their relationship with Filipino culture, comics, and films. It also delves into relying on traditional and common Filipino "sense of going about things" or manner of coping with Filipino life and environment.[1]
21. How is the Philippines being described in the editorial cartoon?
Answer:
People in the Philippines working together and become one even when there is a disaster.
The Philippines is described as a country with people that are kind and working together to survive the disaster.
Explanation:
sorry in advance kung mali po ako
22. cartoons in portraying the Philippine society
Answer:
Baranggay 143
Explanation:
I know it's more like a Animè than a Cartoon.
23. What is the significance of the caricature of Alfred McCoy in the mapping of history?
Answer:
Biography
After earning a Ph.D. in Southeast Asian history at Yale, my writing on this region has focused on two topics — Philippine political history and global opium trafficking. My first book, The Politics of Heroin in Southeast Asia (New York, 1972), sparked controversy when the CIA tried to block publication. But after three English editions and translation into nine foreign languages, this study is now regarded as the “classic” work on the global drug traffic.
My more recent work on covert operations, A Question of Torture: CIA Interrogation, from the Cold War to the War on Terror (New York, 2006), explores the agency’s half-century history of psychological torture. A film based in part on that book, “Taxi to the Darkside,” won the Oscar for Best Documentary Feature in 2008. My latest study of this topic, Torture and Impunity (Madison, 2012), explores the political and cultural dynamics of America’s post 9/11 debate over interrogation.
The Philippines remains the major focus of my research. An investigation of President Marcos’s “fake medals,” published on page one of the New York Times (January 23, 1986) just weeks before the country’s presidential elections, contributed to the country’s transition from authoritarian rule. Analyzing the many coup attempts that followed, my book Closer Than Brothers (New Haven, 1999) documents the corrosive impact of torture upon the Philippine military.
Three of my edited volumes on Philippine historiography have won that country’s National Book Award. In 2001, the Association for Asian Studies awarded me the Goodman Prize for a “deep and enduring impact on Philippine historical studies.”
My recent book, Policing America’s Empire: The United States, the Philippines, and the Rise of the Surveillance State (Madison, 2009), draws together these two strands in my research — covert operations and modern Philippine history — to explore the transformative power of police, information, and scandal in shaping both the modern Philippine state and the U.S. internal security apparatus. In 2011, the Association for Asian Studies awarded Policing America’s Empire the George McT. Kahin Prize, describing the work as “a passionate, elegantly written book that owes its mastery to McCoy’s narrative and analytical gifts, his years of painstaking research and his sure sense of the ominous global implications of his story.”
In 2012, the Yale Graduate School Alumni Association awarded me the Wilbur Cross Medal which is presented annually to “a small number of outstanding alumni” to recognize “distinguished achievements in scholarship, teaching, academic administration, and public service.” Simultaneously, the University of Wisconsin-Madison gave me the Hilldale Award for Arts & Humanities for 2012.
My most recent book, In the Shadow of the American Century: The Rise and Decline of U.S. Global Power, focuses on the key instruments in its exercise of this hegemony—including, geopolitical dominion, control of subordinate states, covert operations, worldwide surveillance, torture, and military technology. The work concludes by analyzing China’s challenge and the complex of forces that will likely lead to an eclipse of U.S. hegemony by 2030.
My teaching interests include: Modern Philippine social and political history; U.S. foreign policy; colonial empires in Southeast Asia; global illicit drug trafficking; and CIA covert operations.
Education
Ph.D., Yale
M.A., University of California-Berkeley
B.A., Columbia College
Explanation:
24. (Essay form) 1. How does the translated version of Kartilya ng Katipunan plays an important role in our lives? Is it still being practiced in the present ? 2. Based on what you have learned from the caricature of Alfred McCoy's in the Philippine Cartoons, I want you to make your own caricature according to your municipality. After doing your cartoons, cite the meaning of your work in the lower part of your drawing. Example The issues, policies or events that happened and give mark in your community. Instead of doing it by exact image you will do it in a cartoon way that the reader can enjoy reading your topics. You may use any symbolism to express your opinion .
Answer:
HIDE ME NOW UNDER YOUR WINGS COVER ME WITH IN YOUR MIGHTY HANDS
Explanation:
LET'S SING TO THE LORD
25. what are the significance of alfred mcCoy's political caricature in the society and politics and politics during the american era?thank u
Answer:
DITO the first thing we have to say about is to have the best anime of the circles in a way we don't want the money back in a hurry for our money go off to make the payment in a separate envelope for our Christmas gift card or a refund if we want the same time
26. Alfred adler s concept of humanity is most accurately summarized in which phrase
Alfred adler s concept of humanity is most accurately summarized in which phrase
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27. explain the political caricature in alfred mccoy's philippine cartoons: political caricature of the american Era (1900-1941)need ko po asap ..yung sagot
Answer:
political cartoon, a drawing (often including caricature) made for the purpose of conveying editorial commentary on politics, politicians, and current events. Such cartoons play a role in the political discourse of a society that provides for freedom of speech and of the press.
Explanation:
I hope it's help.
28. • True or False. Write T if the statement is true and F if the statement is false.1. Plato introduced the role of political institutions in a community.2. Influencers make authoritative choices and decisions for the community. 3. Sociology examines group formation, relations, dynamics, and interaction.4. Alfred McCoy stated that governments play an essential role in the development of Philippine society. PLEASE ANSWER IT CORRECTLY
Answer:
1.T
2.F
3.F
4.F
5.T
Explanation:
LEAS MUASTES
29. List down some popular cartoons in the Philippines
Answer:
Ibong adarna,Urduja,saving sally
30. what are the two topics of Alfred McCoy
Answer:
the political history of the modern Philippines and the politics of opium in the Golden Triangle
